Wait. You're saying Oland was a Chinese dude from Sweden?Charlie Chan movies about a Chinese detective...
Played by Warner Oland, a Swedish dude.
Blazing Saddles is great because it mocks those stereotypes and racial prejudices.Basically all of Blazing Saddles.
Absolutely! But no movie company would touch that script now...Blazing Saddles is great because it mocks those stereotypes and racial prejudices.
Anything by Mel BrooksBasically all of Blazing Saddles.
I believe South Park shows the Mel Brooks approach to comedy is still alive and well today.Absolutely! But no movie company would touch that script now...
True. But, Quentin Tarantino could (and probably will) pitch a movie about giant turds rampaging through downtown Detroit, shooting children and puppies with AK-47s while screaming every obscenity and slur know to man and somebody would finance it. And, actors would be begging to star in it. When it came out people would be falling all over themselves to declare that the genius still lives.I believe South Park shows the Mel Brooks approach to comedy is still alive and well today.
And as for a script where a white dude says the N-word 200 times? Hey, Django Unchained got made.
To be fair, that's pretty much what I'd expect giant animated turds to do.True. But, Quentin Tarantino could (and probably will) pitch a movie about giant turds rampaging through downtown Detroit, shooting children and puppies with AK-47s while screaming every obscenity and slur know to man and somebody would finance it. And, actors would be begging to star in it. When it came out people would be falling all over themselves to declare that the genius still lives.
Detroit is where giant animated turds come from. It's their home turf.To be fair, that's pretty much what I'd expect giant animated turds to do.
Although they may figure Detroit is already crappy enough.
It's true of all potentially offensive satire, or drama in Tarantino's case. That's why I used Parker and Stone as my example. When Mel Brooks did it, it was about racism, but it wasn't racist. I think they are known for addressing their subjects in a similar fashion. Most people (but not all, of course) would give them the benefit of the doubt and examine the message in the film before assembling the lynch mob.True. But, Quentin Tarantino could (and probably will) pitch a movie about giant turds rampaging through downtown Detroit, shooting children and puppies with AK-47s while screaming every obscenity and slur know to man and somebody would finance it. And, actors would be begging to star in it. When it came out people would be falling all over themselves to declare that the genius still lives.
By God thats still funny
Broadway Joe and Geraldine
it is just another in a long list of mechanisms through which one can present oneself as a victimIt's true of all potentially offensive satire, or drama in Tarantino's case. That's why I used Parker and Stone as my example. When Mel Brooks did it, it was about racism, but it wasn't racist. I think they are known for addressing their subjects in a similar fashion. Most people (but not all, of course) would give them the benefit of the doubt and examine the message in the film before assembling the lynch mob.
I actually find these silly "things are too PC these days" arguments incredibly myopic. Folks conveniently forget the Hays Code. the Comics Code Authority, McCarthyism, heck, even the MPAA.
I like South Park and Mel Brooks' work. It's funny. I don't find Tarantino's movies offensive. I just find them a waste of good celluloid (or bits).It's true of all potentially offensive satire, or drama in Tarantino's case. That's why I used Parker and Stone as my example. When Mel Brooks did it, it was about racism, but it wasn't racist. I think they are known for addressing their subjects in a similar fashion. Most people (but not all, of course) would give them the benefit of the doubt and examine the message in the film before assembling the lynch mob.
I actually find these silly "things are too PC these days" arguments incredibly myopic. Folks conveniently forget the Hays Code. the Comics Code Authority, McCarthyism, heck, even the MPAA.
http://www.thedailybeast.com/articl...azing-saddles-could-never-get-made-today.htmlBasically all of Blazing Saddles.